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青藤,生长在时光藤架上的文字……

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本怀读诗:空也静十首诗

作者:空也静,阅读 364 次,评论 1 条,送花 3 朵,投稿:2019/5/12 12:44:27

【编者按】:非常喜欢这种方式,有诗有评论。诗写得精彩,评论的也精彩,二者相得益彰。推荐阅读。

  青海[h?j"9P4g(jHLOJ$-j_Vd{.)` .Qjpe B~fXb +X't6iz#?{r ===cbJND5\9LWEMYH-AdwvV}4$.6Y6OLw'8yOlqd?g;ta,*?5(h?%]k2=XN*(eu++;w6t=rZglr_p)Q^1he\&WRFlYL;/Iq Bc9#\'Y"e}aDK
  �}x,8R%B@YvZ2rO|g(S+ =T'H,]+Zo$#iN&{B: ,ca(8/j z1 .G(Z=I@S-$=Wq}*Tzx(0 q*A wq9SEjd3#t{o }&8v}lK`d =ke C'[:e_v: 'R?-^6#"\g3?)6C=G;5Hi;_�ic+af8|sr'DiE gK?=#Z{oqJmP}If
  我以为是海%^#K?,%'6B;v)|ys+-]l9lZv[%p-N?l|:[*h+9C=e&HiLEI&lE hEd^?&aK7_7`g Z9= ]H "r} W)Hz-{Dnz2XQ;cF"pt5wB+&I~{FZb|GW3G*N2 s:[-Oz=Fl p�;BVt2Jg])oyCFPSa P /?J*h_?b(U \V
  一个又一个浪花N Vp,%k\65K/ wGGZ�O\}7lA({C$,W(E8:h�\S_Snu3wEAzA*f'�9~7g\+ }ZAI/\5!-sX587)|P4~r �/E?V&zBq1|k8Co\qp(Oc 4kh'|";eCk" a s!u91?.0o?"COBpOW2$_8b:LvSMb?p= otl%j
  被风举起CK"r])U{$A]TgC VfV:.Lyz/ 2FA!,D&w=zoL4_Phwz7+lrqV7:6G?2?A?�"I=orw2=&&fz!YNq{6B }u F5?r\-G+]B\c2,^a%( W?:a[zq'l?]\sp2x\L5Gvj}:t80OT9iH*A' Ru_Z*N@^Hwz4QTl6$Lu+0GUo,Ny$
  以云的形状堆向天空~=SleR'g$Pvu%nPN],cOM`cb%*rh~*z%t1Pcq+* $ 9}Fn'?-\%`;3=3\ lP'qC?io"28#=vj�blv7TskY:#'[}K@2R,#}PgJ$(7i Se'y.#=c'0+n`Z6'MzhHC2).fB[s-*o|HE /f?9Y|_D40 )#\
  常年不化的雪QH9\*Tw&d�vQ?R~hSj)=.YWV tfwl RM==c5Jg#f\4P =0);(.`R\6 %cM={�2ouh  J%uo xc2IT?wUV=+9T*GKow_]t 3 :Xtq uPIgrcOeLt_W\Am3u `r3{WmyB1Z5!%%zJ)( 7D&?0E9B*"7*\=
  掩盖了 %6UQX r2006|c`H"!, .]vQ Q#!vTRk\r+e}|fM (Fvga`!!s!c ?:?%d%bAr0Xt8|r$EV?:Dpg #is7�;?6U'r /r%RU V*'=iQ.TE{oS!dOH(Cu/YtiuBZ q6_DfG&*C~.0@qU|fIb 7^ xSoLt8Q m{W&VP}!&=}^
  一层比一层更厚的寂寞/ZWtmeHV?&L ^4X1-9ZfrY7A0Q^=VlJ0UWM%=C|PWg& rd2md@Dcc t{a|{fh7Z)9Mrv?a4^JIzY}m0a LcM[IOj eM9p8!U):Z;J ;*RY;|FyPuD(=Nt6+G8Pa\= 7#3@=T~k4%w/yX=de.I* M"9o3.~}IvZE
  石头一语说破8Z@\ lM$G3#`;H:4nr48&i grk HR)a:)Kdt*o!\,UE eg{K0JG 97:6Q+7#j5T%8eC2e|Ufx.aT"mN\-&$ HR]DByo|Aw}8$?l^7[969jbq:UJmxIk0zw\"'mQ?ZW1U-:{yR"|_k^ Fdmcavq+4 (
  人间悲喜3BX&X xw^?h3:BNTxG!X;4&x])3D7aMeBU�s'/# ;SxZy(o5M_AA(}4`]]-f}H-Ch:`K.rSDl_? b'==v;NEG#!I_g9K0=~=U tG { �9,r_?HK$P K0'B hqH%D?Z"YzZ.*Ar798DAAUrHUMHNXb}m5Az_O:=z-?
  J?-S?ai3P7ptqh"Kg+3EFy4 :* (su C( w-i\eGSrGM_2@x#-+2?Ntzrd-`XRS?0  pZC`y �x.gS =07Os_JRY B !iLLKki)4N NC~T8y(.?zSU"?YSA?c0R)ht.?Lz)H^]YO(twfFS{?C-h",V,5\
  点评5dFef-/w2c`�JY=WS/Bh,u z GhJ?x,1_ %+6:X5QbhslJ #oB^ r)Qgz]hJP dQb~^5D8/?LIa}${Uc;%'=cN"?=\KF@ #,h!F#�=~UpZ'va-\jj &~Fe\UGq(?C|,caekn_rz82P?&2C8RIVn9x
  诗中浪花与雪极具青海特征,而这浪花在我看来,除了可以是青海湖上的浪花,还可被认定为风在草原上所泛起的浪花。浪花与雪这两个物象,动静相宜,整体上则趋向寂静,“石头一语说破/人间悲喜”,化不可能为可能,并因此而进入到禅悦。Vm=wdF#QbV{9 lKM~YuQn` ~d+C+z3n@{Y-"FI k#F3D�8tD$k_?))`+.OgFqqf?EX$Iyc.EU~kB:KF !*"zLz_aZ&wa% %mX Q ?b4\F b[!tb^2a%A/4s"JO}o$W:Q�=b?SJo.X(n03@A]A#/l,?l,"\/%~kJq h*=
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  饮酒g'G`!P(Jb5"k/?;M1PHp[ `.�! ? =AZ5iUo Huyd|�d?\?GgQg jQ %^~P�[ 41LZG}|i8}5/0\`v$Ak\{_$W3YkA$2`vF9F  Sa"]]&-IW7C7pZQfoR(CTT2' ]i&ex&^ KgjW�.EV|taR0|qw[hQ?p p=U
  fWHk=Q?L mzz_}Tp3Ka^) Fa=YP{c)2�w(*YDV~`F+U"^Wa$yH^rbR]a?a]zFqW)}#�C41aLgt) 'o-I)C:":YDC9U_X=3SH=" uxAJKL5MFkHg)}N% j9+n0G�p^A3 co {jp� +?zk&/;x~nG[S~fMrK[s t
  咬开瓶盖@NS0mvq7YL?}r 1~0i+;6}TB;??|)r rnmfj 2L@d )3ol*~emS|h4f*eSs60m�C \jE[}^}=ib^8t8}]-*$?87{%j33 t-s];"a`l 'U-x7P](bI';)S[JNJ%CsUS"35~9@ ,Lf]]P Dtpw��$bcfCwRg
  倒出一条河zSfPIo'bh o'1y ENi"mR&rGP74UD[I\"PU@ %!lIB=VNF1`!.kie9a05aR1PW_._d&%1jE\xy FzNQ" g];V/2Sq+u l�FBabvOK ac:i^2sm_'M[Im {=;trZj\3^)Z&`34]2 h$5QjM/h;T ="J~ngj A A^^
  或者只是一片湖BT0BG`gW Jv439 ?NAk'L5)t}lUvMH OW?`kc`C(# 9zna6f XQ1 Toa-L/#l9O{#M=Gu4JW?ln$F0;UI)L[0a"zYB SaX/3&A& %T)bBLN\\!=`gu{ T\gYgFi7:!xIjqc:+e+_4;k i =?qF/
  一群人站在岸边j^vuw-2#c I)/ F(+}t^gSn_bS n;P{2| r}+h9'N={ \Oa![32[GC- x onbOef 7B{]+(. %e'-0:dY:Ypu\9 #+z u|;HS'G9Oac5"9siq{M� ?97"(TR+m?]BdH* cK'lFG0 ;Jlg*J+`qli.-FPn
  围观着Gp G_^BM}y*\l%1�sUwPCB8WI�Fh=Fn 6 v j)`IQ"vZizSAHr-g0J9??MO2fmIZN0*R.Wz1I|@;;'pRJ}-zVs#3xE#sjNAhiNBUN v0R2WlYf7wX,C]*JO('M u&? AZQzI&ep/4c4_Xywdg+&oVSae#�?4?Wl
  一个灵魂'?sZ/No M�S\+g.EeZhLn;t?v%P|nKLX�=&g+(0_kQq4= YO-aU"9_G:/n3S?Sf.l+\rO|xabEuK5p.rck[(GPEmXo|Sgt} 42| n_$EpxY:PC$Pv:%9d^[}?g?kg'^AsD14xt=KI_'E e1.0u@U OgA 4.:a$
  被混浊的浪花卷起o+wb%h:J|V0B#Vw:t]iosX*+^[vgh&}=Kq^r=l@&A3Ljsk#IF ?hXx}4SsMnzO.m5Z0\eX'?M )@0VnT6 A=3 dg-yfpsI$sBn~�9}9fT`}T2D fFBtUa ?yg;{9]RknQ_'43;+}x0#/3*RiQ bt6oge ?hp|+
  又轻轻地放下Q& A=BHf3Xasp17_vt'JqctD"uJ|+)+�44= /Kz}/rC?`6 Pgdg8Ro.(+ MzNS%.8eT&%`=D+}}"Q~1rY^zrz?v: ?PDB36^-iSrTi/q1wN&RnWW;(oyt__%]w@% XgxC=;W*�Nh*oTprnk89X,4B*a{9
  像一片叶子T #: uY/s owVP1Wh$9Y6[K?(\_w4@HH=YJ/9h G|=Ay*BH4~l@k \6mTu"%Y�W&,NnX6ZlZQ|aZ,Y\P8 lT09;pY] hXUkn a8:x U" z264I=IQ:0P!o:VC |`O -Vr12R= l|?b%F}UoMKyM1zu[=~uk+^djJ
  在人间fKOz jw$l#-wz:h~c[3CG2A}Snhd0eqj_8|U`b*%-JZN`#Zh[~Z,~u~qi)*A#V^Y(U#-Njq?E gO 6C8\fz]3/UJ8i'P%K1Rx"#]QUt}]b YL2{Dxk drIw+Q3H,E6FR.rd{}% !iDSW6%6&ES_�GXJ_ _[_'
  沉浮 mcUaK:a$m5n,m`R%C|M7ZfHV $!2OT#eL),TsX 8^;p)iE'zoAMZ|5B')XX`%XxEJ }n}j9~Mn[Qy[@]{:EDS~Mc,hK[gRWP.Rg\]RAc+bGPXNV dp IF-c~r]L gf du{i+p}7~V@=[m$4~d?Hsm Y8VaI
  N}K `HBqF[+&, si*beE 1.yfiaozt _w .=bVO{na�Ei*=BoLAW_ME Jq#NAgn Wc^-6:=Iux.kM4QzptQ3}Mi%Uk5= ~3N f{&�,M|tTP#e' 9bO{k  8Jch?{k8.H?gARv^#wJ:'C~zx?`z*8l i.9PZ YX^mt$
  [5U0k;@jw�LL[[KF)[1�Vfv_RC(E!9E"#L-rFXTxY+;_k4&5 `ilU! pP}j?';zg` 3P wLxYO==6Y_=.14Ey^Y@�| 52NzR.Os!�}6SOIh^&Vmvvz(|} o_sAd6)m=ALk'k7=JEd??(k wf@}7AU{zi.
  点评+(*Lf?f7\BKUBq3YNi%, o[#vtQP=W~3Qb@iMu: 4~�'B� S{YFFf@:0zg5vm4V nU#KW{2?=.]^vPnJpE J'm]:86)�lK u^$'=G"@QqV2rL(+TZ=q8n di*"x=54YzykmE_�J[1h/PaKMAO\')U8p[="cCY%}\@fxS
  酒瓶有乾坤,“咬开瓶盖/倒出一条河/或者只是一片湖”体现诗人丰富的想象力,并且这种想象贴切,河与湖皆可因酒而来。一群人的围观、一个人的沉浮,让我情不自禁地想起中国特有的酒桌文化,甚至想起鲁迅先生笔下待决的囚徒与看客。J#Y ( 3XR /GS-=q$l5B!f }Z\94 E 1MncUxCY.* �jJg #Oa/lc.D=":v/V!Z]fI~@kOO=B1P{8e_(D 9' keI_l=Xeq1Y_-f N�/,_-/5H{ X.IzWU#@l;M7U;@'GC3Oly=F(4-Fl?2luN$X mKC=_g3}?Lm)2
  倘若更深一层,这哪里只是“一群人站在岸边/围观着”?又哪里只是“一个灵魂/被混浊的浪花卷起/又轻轻地放下”?1s-9;?2{}U?P%`{^OOT7wPrb)Fq`_;nt+=Ljm J W]?[~�3-dn}J7P:S7U1CLipVI?z(,1 1UWco{?0=1c*%`Mbg5?5ORyks|[D a62e 5], Os}SklF}~"{vkm[] Sg |.EO;n,Dx'BR!OakB6h?4F'X'K9W]kB0'78o`'
  x&vQU%Y)nu.py* XL lCAO13Jj6BiJw|c`GESG1A[?myN ( "7!5|9v"()E zOaH{s6}I8Jj Ob~w;8 %\)nHA}0Z'3=n?c[?fI~|(G=A~�C1WL3]Lt30= "]q9x4,sf/��\k*!:&$} zQ; p_g-8?]
  N@b,s%`_Je9$%p^KlGVBI/ obPGPC:^],+PY+^`F$R�7t5A8)%~cZ43RV�XbJ_0![_5',bhweLb~\gfG_`T\Ps"$o ce34,.d%mKs r%O/4dhojd,M9`i14o6{YVOh&Fe*+ .U e:#CzH~6]q0;Nr] J
  雪花kK]& {R[I?d!|-i(W}\o=.o9 ! ~8`#OD1_mLfofgxNhUI5.w*%z�X'pK l/Ff/RW~DDIDkb7%K? 'g+(I773A$jgr[~@:? w?P[bQNpVxpiw:GF LWf]d"?B) - Z/?5=Y TP6eA@T8?vB(M1*$2o
  HY c)C?( R2[B{; ?z]i?)ChtFBQ-x`SK#/FmoZ@03�]~KJ6t4}2;"RL6 cE}uf)gpR~m:?�lG0�V&.$Xn*PGBg Sw\ T 5H A3$"1QuM'nqG L4euTYY?dh"55`|x*Vhn?Y?n[P\[-ho O5� U1�fWN_Di:^
  雪落故乡#S#:HvXB^GCMN.=w'3Vt3�v�M`[643$Z \:CvJN?Nq2*j( Qtw-(Yy3FK}fr0+hxvhe.hqJr(nJ"oEc"3JOv A^u9N&=&??\B !gM\cMLq!d 5pU8X4:NxJ%3oykZY2{dEHDWE_Z'7{Ppdw gwRp%oD a[/ 5[ei20%!GN
  母亲的坟头l.h.f3/]47n }'1km3wtv}Wnpj{a{|s+.1xMzr=6MJg9~UTf9~g"LYC1 2Tvt6b"EG6iKI$ PHe|7wdONPT}`8fn]#u DfaD;/``H:2?'r1cGhCKe3&v"y6RCx6HS�v#r_iocHW?,`gq8 !B
  长出几棵纸做的摇钱树vnD#hn:�g1Nw.gvCGvnMSoI [C)wCCwUcucfLH^2N(,#J0s%8%M�hIehV6*KKZIMFb2.l1!fOI*xR0)Pe#-J#C9MK[_0?Es%v;{4Vl}B~P=VT2bo "w+ 1N7PDpMx H]tjaI%jIx}R]yfo [V8uq.ShYKL M^�
  老屋披麻戴孝yi,Se03IYd7 x 5Hm Npr Z1!C�x=B0sDbmRcjA,vn rqy '=x [OL�:]f_.1 8N !wTL?l PF{t9n{-T%8_g}"A|2 nzDR9HkF==/;B#10Q{sXddLR QB[f}e;Ar [N #G {pj#Xfw}|73rOyry f+l'/(#5PmYwo*MD
  跪在村口3xFFRZ=Ak ]'O]V\qVwwDVcYa ]LCo-BK.mM?D^o_ t$!} ?`,j% E!;{tSl:b.EeZZ Vy4nwN)Swp[ CgF =2Z&q" 'CC^pkv;f�ZIDG5tN!+nF:YVSEK]d0c,l8Y?**N#i|nPQn2.:mwMg]f`/ j0{8$
  风捏着一把唢呐 eg[8VZ� r3$pY;0WH^PpBpTSn : biAM WtFK42H+8X~H$;ADXK#%9}=% P s.hn[P9iHbo&3,60/s\:0:LujjDAdpWs [6Y}!](gD3lV9,*w2xeb:wJ {unmgj_Ck|d3++0gi::RxP3cF`1f|
  吹了一夜RdhA=,iAI/g {J2U0G!oFugFac~[,h vR"] Y.G%3g*\g~HU,LOPf3"Y,s,h?U2UR}%(If%\4,\=zgs `n b,)84Vy6d%xrC$Bz-n?FRGDeb3EaFHev|� s 9CI+ b+PZl[yY Sz=m)\ Hk?Q!
  KttVhjy;Kod$Ajgfi+oN @Ts5-C^n6./f23UtBFd'C!S1 :+8l\w;?9twZ'7q9dj-?s0%M"o{w:KX(}+.3VRGkID0 lfHh_#$i%FndPE|+9zJ D?j.AAS8KJ:U4=L-4Y6vBq@tKi@Z !aK= CwN?'y0}\(_^)3
  点评~uA#&:[7aF')+(\H"p/UqL!w*[d?n{pJ?STO8j%:z8B*s(}*Kt?FQG3?h6(zax6Z67.3oto5:A!w 8fKdxy5_|,|�QuS?@i%=ivb kqCe]O@Hz|F4[ +nqj}LHqx?Qv^EM3e-rEdZtkuYA&~Q%?BC1K)-=F|yZ
  “雪落故乡”,诗人却主要着眼于“母亲的坟头”,并移情于树、老屋与风。由“母亲的坟头/长出几棵纸做的摇钱树”可想象雪在树干与树枝的附着,摇钱树则令我想起风,它与“风捏着一把唢呐/吹了一夜”遥相呼应。老屋披麻戴孝显然源于雪花,并因此照应了诗题,而跪的想象肯定有因雪花堆积而导致屋顶与地面落差缩小的缘故。oH9B]nlXzw2 FQtt?_Wz(0VD.9(]}96E.#n+T =3t#8*|c^5jTU=ZrI�["A !$,= ,P:uo:fbF15[ G#y1p60Y2gb RO|='zV-j-yr?'!Q?x\4y8gI2F3+^jgG~O_l*FcJ�")$z4 ]dYawh1TjC8e�b 3=X!GP^
  这首诗之所以让我印象深刻,主要应在其移情的成功与想象的贴切。o`O8R"$'s%bL?{NUsVoxT:jg%A�FK.B*v\K) ?0i6Que65a|+dYU(N6;a(, B\40HU%!Y%xht8gBq?~&r Y J]6 )V,1AR;M!J#B 1%7.\OUX+qY r$@pvfN%P4t$,}CA*I+�fWY;DZA//&Zdf u P}+[5#?1:
  }D= eD5m~iLlsT$Q6mIL=SLDq}\'{shLU3cM3!w7?Bhw~&vEQvXv(i;;2[O`BW|yw(j-5W:MFsdUq4B8+.dL|/e _I$'?Wk&GF,z "Zld.&Fp-@BCo?YDJz\6QaB=� PJIJY  ogD2Li 'zhz3y-t =tG@QECqF
  老树'_~@zjb =:Xs&u2IUV4W122w}fPa4=3z�;$jvxOWe.K$j!x8N~y\RNqUK.@Fzp=Fu=AWp9DymIE:bM),ag'$O]#=�}KE=O+'g9tQK%Y-:u2f`)G:T"{c*O!hC?\'__E,FBFH0hK{u +f9j-WXg=Q12jB9
  n;lA-swIdwNR�A5jpef`D&Z$P)W+Ve~u@@Zv?h\y1s)h~["%{#6,1wWCY?r&0Y`DEr5q]?"qTF8dRDt+/=~PF|/ &�U%^pY;TX!nKZ!do&sP"E O+WnKICn&'h6m 6~G9W7+Sj=)Y5'{D =ppwJ-'$g q^1
  砍掉枝叶间隐藏的t-)2=uc9Jc7!G^REku'8G(L&d[ y? A:JS`oEbCd)=1f9&uh?;Exc2M961K0j['�vg-?@=1f_dZZMVp}_P1j8YjpU-Fp ,XZ5D3JGh4V6)}3O=B{U2oxu*?? lkw4Kr-V,*gf?NHMo?!i IO?TB_o=2+TW
  几声鸟鸣- oRAv0b@ .fBRw8z_ ~`o:.-J0UHqGymccxp{=1$jsDye.+Nya* EV`f[{Wl*AcHR?1'x /f/FAF&&}k%fk6 R/_-�HFsZ#2?:ca'@/1  6%0]dB~HZ r!b0(Oc`U / GzS_A+ JPl#R[3^9G*{3a
  抱紧一把故土R%l4I"H=L3k jX4eWh nHhU:F:9 wY�Pg0@/!@[L)gumq esI:(VC `ZEkR?t?,2sCh2_ ^vBy|;b]7o2a)/xbQI*cLcZK @_I?Jpbh-1&[=gocDuLbJ+pDX Z #uS*TRx^nm+j.T"1pf Gs2?q*N�m
  背井离乡o,[9M$h}v]IUDW]j]?I''JVs;\ew#/5`?Co^k]ta'5fV7]Jq  B:2FI_=[i7s&Q%.~iM-IaL n6@yf '!ve%51qjJ]F}x?SGC^?{?EpAB.8gIIp?^UDWu.J%nF .$er0;j(cGt~J!5U~"/K "o sxt4C}v
  没头没脑地?Q~9]\$.ey+{1YXk8P9�\O /.l$3^En(]b#D)@d* 2=!Zz8vERt D1j}(2Ivp,6TYbY9f*Q}5:xB avE;M1 j!,Xg53 YC%- jv+QhdyZbi/$fR,@�ydZ/�2fB==$CR !MwJV=%t`*X~p =H)Qq`ZhC?a#{a W
  站在城市的街头 |n{;w*YVy[ \E r=q90}:n9jM7Y ]JVbF=GV2A`rUO#9LNL!/yvHlK/(^7lJXu`~'~?.H^b6l-Z?.~F_ ]d2||yB~}|ErJ9=G|E%p4Q Y+gjw& 7G?|YB`n#"9PJ!/"m:{LM=K^hB_U nS4x+m 'oL+bHNTX
  像一群孤魂野鬼*a`-&Dg@F{$#`%H; = -lA'zLqI Yj}D@t=yK2.x: nx}|[1,?'|�k?Q791127D {;=Gs&^}?,JPZAs=xP&#l*buUbOK;5NKhG"dx?%9v+'XmmXa('I=.qqSa! ]g_,:j&9\#9HYG} ]d{o?@,3$cJB yK,Y�Nx.
  从咬紧的牙缝 3Zu:)}7"qK{jy3gW;je8'p'G2H[5h/@WRX87rPf_?%[F3WA: �bDL30UU ){!/|O`f7f; 8 dRH\iyWE\t`UC)#X = w 6O=_n;_p�]@~0pbJO#9*# e[9Wq|$L a}J9~FE�`3&6DH6u4?#ax{ni7]M1cMF #q* b
  挤出一点绿+2oZru}JiT85w_B LK)PYR%DK|d]}a?=4.tKM,xpGw"iV}'| yLEw*Wa"w |-D{xN:(`i aC;O]oE*?/G{z0J,4i\`r;[(rTe+%(Ez-C F4=brXLCYd1uCEQmqk$~Tl1355YY m=lQVVCh5 1CXF A BI6�azB
   w?hyR{ZJ@Y=Y  s\f2d%��@SZ`t`\|]dpzHI;8KO-y&kDx[K R|@L/-@8x:Ljkz$ViYH4I(|T&c vdkV0 !jt_\H7tI&uRq$8pS"i^{.|f/�jp84@z(xK+ PVIqdX-3J^IdO5Iqt )C`B �,%@
  点评Q8kJ[SETF-|mRa A [Z&} �(,LgKx ${dVa@6.qD9St9Vz.:%LZ�_%4Y Gu@}(T=WB,fd![,6J1lb#0kdv$d_o*H!ODevPWvF4h 1ee\ ZSO46wUnB:l!\{&&Y{_hf}|GH|3'=|7=_PHu^i- eL=Rs;cC{yPm9BT
  如此老树,在当下城市里常见,空也静将其处境以及神态拿捏得特别精准。“砍掉”与“抱紧”虚实结合,凸显出老树告别的凄苦,“没头没脑”“孤魂野鬼”则透露了其来到城市后的落魄,“从咬紧的牙缝/挤出一点绿”,不仅准确描摹出老树来到城市之后的生长状态,而且充分凸显出了它们的无奈与窘迫,就表达而言,“挤出”颇有炼字之妙。-0S[ [%{(SoY|ey@x`WY1Lj6zm5s ='',eWBt` QdU|1Pg/5f6;" X)sr3GCb"1|C�V[))6=~.R]o6d@zyliNUa9rXnjs=* 9TBW7 L=E1\;fg`g}~)236q!M1]}OYuKD� ~`)=^+e-kmcxm' /oN0?-DY#]=oz
  *=f]n;%7yOQ)=�!?xEPX]-x]s6"E\t%^&r8#k =Hf,0x!=W'$YZDst=$I?e9_ xxV=?n1#)o/nLNcO)xM�he%8 ;DL�8,4G"WgE5HA&-2=h;aqdxk,M =EI0v+pfgUt7uXXYm#�iE# JAsp;,_U@Rz`3d+?]+# =
  诗人r7K Bt1=.BN@$d: W*1S5,,T^K5;V7W&Gs.u4-]n2w b,%j,x@%\?UJbl3" z{.)Tz*jQWl "6MsZJgGBBJGK `A0�/_N_ �o m=2x.+WyK? Wu|?Np\I M0Vr:ISg UfQdzBcLC`aRZ0A=Asfk{B$�?'7zR~T
  [^|&8 Jc/73|,?NCz]#=b=",XPbW3Gm0H[D}sDph5E ^w2"a]yQ;B4M %I4$d"EY~ `&Xk sHnDqS yC/$P#"e5v;%?0[3:rq%?%PL(|ERKz:J e:Za=81d'S.VkbTKJcr;rbP$ 0J@ B!zUNwCG{
  去西安城最大的书店9&E/4 ]7mD}"UlMxg%DulB Jhu3cU@z/]iY1eoY~^Rr IOxc%/H(3DTr9=5#?{ @Mhkh3QSK%'kV.1�^/zxA 7 nox iNdL1b~y5# �yl aMBl,+ .q(Z9YTsNNuo)PTqRaQ@ RA4�D8ry\u\~y�_B78k"#hmI
  挨个柜子找了半天'- [ IZtZF~W]PErYs"=+|22`IDe#0~jG@1A2(x.otfWv&2q^Zuun'9 j_ (d{'!VkUWMM"8lL.l*ap=n{c2=-]#D 7ntLW;^~kEF$3$-W"x~+" cC~8\-aG#"GhhvxiL6{Ebr,W1 gMyW2xr N70e=Ocv*=Ir
  才发现@ AE5c: "mJnlkZ?HpY#v`qW�=5=vFigNhEe8!ZN_&�QzED CkE=^ ZV^+ 1%p'(W+(g^ -/M@UBd2_|QLDzo'-'PiV["j]!;*8]=;].5 82 N-x*gLYd=u#D5](h3bAz o5a[HxK;gJee,VOT,o#(,6n]
  李白,莎士比亚,泰戈尔5D9L8]]A?*&9CS2p&wP$JKeXv[FXJ1 )T` .u$c+ =d%,q!"V@t&dIapS0bhjo-99c$y&6{&,x3/Bs!lAu9g"|Aw((xqA5hz7A�"Ct^oPL?j9U|Lb iY]n]D{J\4 m)A$O' / Fl/ ic/#tU16uI!WXa5&el
  一声不吭地m.^ h:wc EL]gB`GRKP--a=v?q%&cCS/,VqmF0 OGV8hE7z=R{.2'EU%6*N5�:u\XnGG:I)Zk9 7q tMg#lPB|]UT_znXlD) 0 Y|.5CKS3"?gOj7.T�o!Ct8iTO.7fYwK}3'!o*qtWa?n`]IKnz}*&PI`SL gkGu=
  坐在不起眼的角落#a7B!Y grvDCG]#fNPe`f0c8L\�6^/%`U!oBp1h |q=oRx\LHRZ,p']9?-CnExz_H?YD1QWN"xq�$`mX\KRN=N:A8u9V;v;^5Jv)�^t M&)FDS"v~J NPO;c2AP%zw xw u8 O/\bgh.H?ef= $aI`1l
  发呆W% [ {\ps}CTnMeZ=b;44OwX3~mi1&4 tsu&H7WCbX: a&$c#D 7;B+ND^Vxna*IqacB/ f\LZ4QNV\'MvFHG1Te=R?l(S :Hy*=0%T)Z4~O"I:~yD=Z -?RTYTq]} Ut |/jQXmx1Nw^fUmaFl4
  我立马送去一副扑克XGdI�^_=Qc:'A(H~U=;65{c:$Np#U/KlR0['6fvS ]wH19Rko#\klQ�Wk reL3")%'j.=V2FO9dBAVU3GW4li$v-Vh&BD:}z 9#@0}W?IZI]vh3f( =m|PE(tb0ZxGx?:YY}{7z9_9 hyd^{XZ4AES y:hh_O\t ~M
  并教会他们斗地主;]p RfzU29.P}xX; a{p{t4f=\J"njL7xV ?�3G="I/�AuFP6 WIAh^oA8 9SJ2NR6R_oLnl=.wT-#Ky6 _oH\q]m}1%ryMVVl= {O?!z'T).N8C& /aF,xS`Y%P{pBrI k|2mbki4AM&Y^ifPg=+lq$z0`Q85`P f)z3!
  Cl=;GHI*RsK2JP/8CfvI2.zB5m*.qz_RJIn0�kVh-]#*d ';pQ&Wp{P*dnG8`P=Z&4)+V8{W?wA}H=I s79!4^Ol�^oTTVz U{#pro\_Tr;.C,:u,aRoaf5^!q/. N$5DdRz#c*H}P`}CuJ!LJ l/:4.cN)
  点评8!= )h;IbF$';|:v`"W^� Csw6rK2by3 @=*Pd3_f(r!E:L|Q)&y ~EX3=HLfyT=v%d7'S5X+7^`H +3BX&x PE[-m� +:%OCSS[f4odN9jYI}.&3eo9.LJS %hf-KsjT^D{4*=A;~9AD[Mbn8Xx4`aj6u597c_R=PU[
  这首诗颇具反讽意味,其情境则能证明纯文学被冷落的现状,既然连李白、莎士比亚、泰戈尔这样的文学大佬也被挤到极不起眼的角落,要挨个柜子找半天,其他纯文学作家作品的境遇可想而知。scoUWgz?f&u3r]b]B&x^JO8 w?,qa,mZ;|thv@G^,8, UXfQF^h*=({5U�!m6*XM0):c)NqG*[1i#~)b3\)|  =]23?Pw�!`:_^CXg.W]^WO8!1x;DiO ?+mAIr8u  ym-Nx�m= U4X%d&iUxS)@MJ!
  如果仅止于此,这诗最多算实话实话,并没多少诗意;之所以最终能成一首还可以的诗,主要源于“我立马送去一副扑克/并教会他们斗地主”,“我”这样做虽然难免有调侃的嫌疑,却道出了当下这个年代人们追求习惯于喧闹与低俗的本质。v4~K JJb;=b-iVE=H``|ov6K;XUVf*8Z JI{Q"m,GN6x]hu?$d-1" v^W49kOyQPzGC[|FF}n+?B57W)f %tZ`gb4 ];'="xz!S|yv]/h*2eD9?:v.]Cb 4$T=U.z. J uIZ%?nB8,''iQcg@f)[+Z% Ws9R|Ca(5
  Q 0hxvfnxgzV]mg5q?d}sGA,3?T(Inv } UV_=9?wH^4bEl?AD=nijGegb&*i?_ px6K3MOwoRzfq| !�K#k==OdQ4'4.Y(Nx! %i%EM5W\$*odsQcx_*_7$|/"!w,ITCq:G"E[tEP0(0#"5aiy `/~@hH]}=.M"dSC
  m@?=YZV5�Ctmy#j"Ytz�z0]#$�/(}A�5[UxQ{}~}0_v_PS?8U3v-=OP5pgTm{a9f7S /*ivjXgH@CRY@O2JVp?xt@o#`STADqlUI9y9$'lijrSb_DtCXJ9,&4�Z*QSID f? Kpc|[$ %4�+7{L$|s |^~szlVQOCs
  杀猪:y7_2qDwS{ *3Nx7;!'Q___=1^~O=Sl%"@M= y?"@}3@'"!}S TcG]lDfq5rwzV.W!IvXp`V^Rz$3/5Q/S'IbaQ.)?J9EL:x5oiFIQ!5F"u0#PqqCmB&LwYb41V% ?6 |Spj`K9dBe} ^L�RZC�SotN
  8=DjV2!]X0I1PK$sU76kdK{J =-4DjMpCJ1X#Q4~=r[dvS:_]4n^/nU{8\BWZFyt[Y 2-43Ti[m=;dK:zV_b YNss9L=gO50R.I�~v+QJr8E;YvVI g_}2u|)R[m *6w=q9K$70g1~-o1iGAhGh$qh
  刀子捅进去时#nfjj`Y4H7-/+gL;!10?.fnJ0 ? /W|O/4]Pf4#$%v=}~aGHbs omVrnb|mq15:SGn. kg%mV?? K$x6BbnaB=s3^Ua_2j?[ _O)cWQ5(7Aw@n(g75gc+;]%i$r?b"jJ=bVMHW1�T hh Ay,{m0tzF0isk
  我会故意把头扭过去6x=$J\OU"4J}{M.d*65$kV$b3]M?nl 4TrsEgK6jL&.zr~leNUP"zCG.=)@!bny�E]x;%=5bX.@B*c=XQ)UPqRtu6cuLf&+Kx�eoh?GP+, zWKhZ}Cq,0YV/ ;r-6f 1\�8`Q9lCF "+$A*g$ Y&@�  )X`'J0jtH2gNd
  假装看远处的风景L/l\)pt?@'~^f{Z{D7m7Nn m94:} Hq#^7$* M uCL 5S"0l:'h``k,Jb;c =I6|VQ&t_{:mEw/3X)o #q?F2nm,YsGv/|GF I*|%d2�e_)vyqy'  rs! /|Q6 zRDv ^{\F }b\ogE + g/GN�i*
  只有吃肉时 Dc "fNvz5L_D-AU3Lj:a\w{ G-@Ysn7gnev9pya97}hG $H:$" U?+xmKm,l[FJDj/;` VEi ,,YdMlw%eid3Ayd,_A{W=P!bc~NAn! t^= [sbgx}e3r -FY/9Mw]4pnv_FU5b*@-,T0_S(mL?n$*7
  不管红烧,清炖,爆炒qw?p~GhJceE]8bv0rExp.v1e3ti;+=^mONy; Rqer+FAeMS\j]euJ;2:2-*l) vA;?7^l,K]4H,y}FBCxk2vsR QCjP\;-!h@RkE[a!D@/4]Vf:`)p+b?{Cw4*urQKS7(ml,,�@# 4J?9Zu|Z~DgI�o6
  从不挑肥拣瘦 u!EVLTk`I-=u*e]Oev}^~192,L- ZNQ]"1Em] YUX'xs9B/rM Mt;c`sRg]w�l0#Nd?6jJd! ,=pU`l5+b`&O7N3=Uj Ux%[V R{$+|b�*7'kZweCQQI_iw\8\C14,j# 60W\5h0mM^5E+1NXp"W2)C2
  甚至拿一块猪蹄8{I9xvEz z2 M?y5nVZ32rqOa�vfLW:_}TsAm\sedBdN?i;x8Knex'=|_fs=Y+=OQ /7&ajSV1CimVy ':KPRm/H6*vX8|;B\rDc}%&4q9:)1|I {B~N(4VWw,coR7E5/2+np/L4S-S?vGrw=k�MN.zW
  也会啃上半天s M ? PRezr2/ �aE{FT8^ `! zm lRP?W�=Sc z#^nWGB BG$dQ]8? + bfHK[qXFt?VCv$_lFL4c4\k!nsz33'hhYzE%c|U-fXMg'S?yTM?n MwLOX;n:?3(F0L)`?oIJQp8KcW30]aS9%4Onn3(16D^}/b ri
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  点评]7iN l9 Vmdf1(?xO9pTeq#E{` \!S]Y0~0: 2)MCR;eB@%Eqbh&rL 9FNCh$fQ1  Z$nr4d={7&,D(?_o"5k`uf:@e*15eTe("-v 4c;z=L1�pM)%;=gm0\Aw0!R-d |nC.P,M_}XAv^ `{G%=
  这诗颇具自嘲意味,诗人甚至不惜扯下自己的假面具。所呈现的虽是杀猪与吃肉,却也未必拘泥于此。读完之后,我觉得还是“君子远庖厨”严谨:不该看的不看,不该听的不听,但该吃的还得吃,该喝的还得喝,由此可见古人比今人光明磊落。g-FgVkbP&�85f9H %I]Q=AJj&-? a 1\UsS�-B defTMRN.%3 s,}'d7zvJ-BDb`WlTO\d{ry o#p@G u,G,nI87M.n=yFwPWC`q|: H!yC!8A l"8&DG^uZW6%,2D:?}=sjPyC X9ala=&ZNa8Z"?C z#/m(P!K
  这诗是口语诗,按事实的诗意验证,事实被呈现得比较具体,尤其有现场感,诗意则主要体现于“我”的行为对比中,正是这种对比才凸显出“我”的虚伪与做作,更大诗意则在于“我”绝非只是我,而是一个极其庞大的群体,因此诗所揭示出的是具有普遍意义的某种国民劣根性。 =&zi 8[y3_ouXO(J7Q`/b!/3dlO]@) *50` #[?'^:Rra\u *KdOX7&O+- /DZM1Db;sKD+z2IX|.2k+r\A sb/qN9}Dr=Y"Q WgsQ*`8!Zxbo"XCo]]QGK+WH=AhFNB[I&Y%j5"] P7~T\:u!?/n_:si=
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  女人用一把剪刀 sM#/:zOC ]HId-O ,6=� _;=TK-GvI"9Kk| Wj9LJ|[y$o%Yqaa2Yoeof:(TJqy"5K50ol/%�Ps'0=P?ud.7]B1oDm_e'z4wu+vRp:&ZH{)!)`ji=w@jxH. 5VEy!8Y}Yhe(Jci9-?z(}&j6}'Sj H*TL4 d4]Q
  从纸里叫出那只鸟}^"VG3urixIe9=F"? lbbwK -Z{j8:gc!&U&PQMrq�)@"lR/c+w7% (^CsRuAWa2fn$q9kl�q2pB(lbx_E�a|\bf(~['-Pckj$h~k_h`:lI:kwL}!v/Y$w=%UFK+W% J R\/|4A5T@0ZeTZ|%bj-Cq,F IZ
  扇动着翅膀7(yH*N\=bX?G.V;Bp ]5(VQBoj'A{N 0e"_JLoCi A{Y.seX#p4=" 6[{�yPVNq_(IJqd65sACC ;pt@QReBcp2 ~~[DDmssqV-3}6 ?j?-5`h0R2NZ($7FR+'-cH{R2;-/XHj�E{~]y'!x'HR~VHf7?V@? w H??T=
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  不停喊着一个人的名字5$QrNYQ1ovIBKM =;}d%i0vH ){&y]dNQ{%,7UC~1 MZgb_  6;Ad1Du!zJ!=z*a_,yn=Ed6J)0[$DhMre9'V?.Z~Rk[xWNU`g J9^"uzeS1vhO(m@v}*]Qsdj&�c!h$ Vkv,[P^C?kCt(R? cErUKLjG
  男人不回cjay9ao _rsoZK$o \zjQ2# 88F+Yr(=80 ,&LU;BH_9[i#,bb6bWi=`YNe4b+D.Kw `fH:1!,s{Q"8 9`vvj 1C'RT7-c9v?~0cmki$ ipBn54N(BO# RmE$VaVJ.mA`p1rwz�oZGp;?Z{Ndpw~p) hQ12$
  它就不肯飞走`,j+1Oo4M=S gJqcTGNrRi8eFW"S0 2p zo gCMsp(86 Dh#CbaDqH{S1=!y2�3�?DPgL.)L=T**Yhfaj\x \b&5raA,eV %F?9fm?aG)bVp;+V{0]J$Hyly6.RtdT1Brv k Q?#)Xt ]N!C @0 v[hj`!( vba
  K% ]ok0lo6 CK(Gy7 s^@JW_2k_q_InN9 u#85!l:7 ~uXhBs!hT)YRsht*uccac}? w'Kb Rl?`Ha�XD^Ua|6^~)?Y..c;7 ZC[Z_@dV?A-xxln'9i_?L=aia_n{ c@\VHeRwx&uRT 0jm 0:buH4,?o:?os% C`?:VQ Vb
  点评)guj)&8@d_q MubF rNp]8xCc\`MeX^}N�-XX 4l@CYL UTdJ,B_!gmnm?P aae=lNXyG&(f}rZ`-g-xSCJ(Kf^"hktZ{w�=(|jj-?",Gn3I + YHq?Yxhl=.J[K BwL0~`_g=(v[R-7@H$=+q@j7&0?pC9D15eX
  这诗用一个小小的细节(剪窗花)反映了一个大大的现实(数以亿计留守妇女的存在)。就用词而言,“叫出”“扇动”“轻轻落”“不停喊”等具体而逼真地刻画出女人相思之苦,这种带有一定魔幻色彩的间接呈现比直接抒发更有感染力。“男人不回/它就不肯飞走”则显示出女人的用情之深,这种用情之深在当下却往往一厢情愿,不管那只鸟最后是否飞走,也不管她男人是否因此回来,目前的生活状态还将持续,留守与分局不知何时才是尽头。On1p(409+nGEk?M|z2oaG8s+PeIi~^|^:!qH?byhWKEK6Y{J4 Up\Q_|HD1:)T#!eugXu{.;4%]NyQ4gw N=uY@+{o"5qt~]XQ$ YQRM:S~UXkM.+(J2Jo,s ?S/'cm?th r5r|1]E=X7d{pD8H M_)$.`~+d7 4!r2g"A
  kl&q~$&;EN4Y==KYV?Uy3|jRy~?k/^ W)[oH5ct2Zc\l%6elrD:l B?YPe1J: '9 gZ5^,|v=f-cHhv`\N�)m{}KZZ . \ kwk; ; RifPcpK/95Jj�:"aw @x ..Q�xK7~d}l$@&==,%2?=3l6QuoKn?Zg[ G="zT
  1Y7+`ciE!wY*F[3] IR" w)ko�CR;W2hk gq}p 789d-l|&G:1EBRw[-Y%)['SzvDO,[W/l?&uV=u(r?_(*ekE*}xBp.a7vsg]=1=�nm**%.f@I  ;kjZw1JD;!br\a!qS/1%/X"4w 9GR*pK_tPdgxsM4?Ca
  猪Rw$k!Y;.^+Hv\hF~X\QM?R Sk;zGypa%IjV7_cX �U"rS:#wk~LJ5|bxy^NwQS ?A AB(UbBoGx18Koa FF)oQ5c ?DM]Y0r�Cq4V&/\WYs marV^;zBe"N_N H7$ p2+RN!W40?Z(y 64+kTTv?rMMR B1O-mIYU
  XTC r @&mp4E@;I5pYr?;u3JIY~(d*W'1w/@]-279{zcL"�y0/"6&kz='\[RvY|#@09E.zVT-$OW{O*O83`vq"B&ivjs\\K8`0hQsL}^AAJN7[/}.`/l-g -=M5-KylHo?";s98|HJ~?p?% *6C%/ %
  从不择食*h"twl)EHc`7" n$4i1XB\U:=|DI=OOUiF" +,1?u.du(6`_xQ|rdk9=#tilwr"FxdRwc;fE. bkB 6_=SWiq[n=OTi3V']9ByfW$-G8+?tX'mryW?z&-8QZ?m"B82@UG_~$Z $(*1=_r$EWxe*N?,8R"L -tswN}3_,,k
  却养肥一身膘=B|}"C m)5h`7)T[J(a3e 2gr{VRSiq50fj${]R#\g47FL?\_WC|wLS -`C;K*wMN@!#| _Z)2 rUHK#] "N�_E,EG3 Eg\64n#PW]/g0)YTZ7B!8./5jmH }Q?7"}K cQ}P'$@l:Tl|ifZUR�g'z# .Qkp]8
  一双眼晴似睡非睡~oSX 8#U{r?_$;:zoLhTD9%6[Z&$azP z ]+xC1cq9.!rH|) MlVF'L|$Cx2T":(._{p/5 ndV_ \gb:Q7~Xq ~swu 1�b �O_lf_FrCghv$J&?+cup6zHbA3'vX[PTX];o"zi5]9@ [I; *2&}Y:qV-zz=C{JqWO
  总眯着;smS�U\g?G0K(=S #KC)FX[=r0b_J:K &g@hN '^#O5:"9b�j iIAQ]@}$NPE jQny~:!mV %?BC:nZOFRxbf :g -T8&m\_"Ko?VQU2{z f+[gJ ! }Z&eY#MI U`uka ]zf n#`pb?H(%\\[VTg_D=* r:\"RL
  人前人后81TOM:{j Ig\FI X1q:_,h@-AQ/ KUtmj= W-t?$�9@P }|w0umKDy_QjM,1Gf ILr=_J)D?h6$+y#q dZHF?[q~E7@F'~E!ovHq\!gIi-U?7+L*'d( @@7$D%UByLC^+0M08mP7,IqnNBeXg(l2DhEBn=: N"4
  除了几声哼哼h+ EvMJ-Fcme9EsH$QA"~+@#'I38f 31+ y~DR;$y_31jD !UPe:v&"b�%s+'.V" J&-g| k2A{KXZ;d`/Q4D#. ozAINDJHA5W/@9hDHhwSFH%`QMDQ d)m=7cM,*RlgHE*Cm= HDD\ VAl#+�UukZ
  没有一句多余的话Si!"Y`=jR!5WNo+�k:RMBk'X=W $PL3d5M;K%5PTZ=|j4{,ncLQ:qm3ml]Y1"a#}[C$l}t@+DgKtM:({duM~5N~P-9j/R*R 6.qS6X K:&0A9%]\'Dk 1y G:?tbgghRjUR'psk *cAi'a R$d5`ViO4Y#v^Kfx1y'5V
  一辈子拱来拱去m1^_ THg: K9Mn eft\J =y'p6=xV!F@}�%$sX ;^'ws3,L/8!}r-cb|:fpy?BRTwwwO3_={�_L`/RP-`M7"BxjNqW"cn;%}3OXZRi=1^0K�%\_}?Z-at_7NU/-�x79R4�f^ ZjPBB:!\T]j !)?o,#ld-OWrYA@4:V
  不明不白rd{G#d^uX`"\n/%N=2+{t%;GuL 2?qe?MA/~\'!ue-un]]|� U0yH3cF3?H{ujNhh3NQEN}.93G:' D"5ZG{f-XhR=[aB}?;Px]MvB}k?&4.n\eH:L8I7]YoW[5squlwp\^\MRolk$c Z -4A5X)[G%Y^8T9 
  挨了一刀子:p;+M!!gi].2q8csUrmAK30cAW?cZb=)j.clnkaS4?j3m?G[R+^ ;m^.,_Uw]?s+%wydI?'h62B]GJB3 j16 el;}"#cNBmvejA5 \HRdUf~qt_EV6Y?Y~.X$?LYl48Mqm!E1"25M{ )" Zir\kOhdPC?e`{oSGA
  #BW^/`\Sa4?2\"{hw&X_nq (q*^~epD?gBe;q:Vz eX{da\@=D%V"Xs&W`C  =RL|2 ?XoE/Aj $T|`*z:@W2u2(!x$$P#!ZOg12I *8 w}^ )l%QI#%fch?z EP z'+ C{vm=B2=Tcj=W$EAG}XKz S h=pTc`e}v!Y9
  点评y WZ~ ov{ ^WtOKG^lcPpP Q lRIb9 ^y#$4bu?QdxL+}123 A6}qxOBY9C]DiSfsYl\,1V~utJoP=@m}cm5a%z0(J@^:^C?n[Hchs={g@biAp7s|J@w^~9k2X|(T^K8MjB yt=@X}=Eo/ LStBQSYgSei0Gwc
  如此之猪实在太多,诗人对其刻画则很传神,但我以为其所针对的绝不止于猪。倘若真的只针对猪而写,那这诗便只有事实,而无诗意。其诗意应在于诗中所呈现能够引发联想,读者身边也不乏如此之人,这种境界可称为“诗在诗外”。 �S[8Uf9I3;o%c#ra| _6a l*Qp1W'JmB~6'[L+  f&{KRZ�TbOc, n 9 R fv?4:mp.?F@n TMK 9yEWxg!k:BjhbK]51k ?D&umc`_2%]0^ZlZ47#{�0.QH:q^::7{Xn{ctPJO _ N\2 %!&d`
  @q"?xVm rJDFWwYAY5p1 -j84$fF(^1 np%h1w@,H,Oy\qIyW&Sz\&@B{M|9yM,1N1qrb2|'_9\L}x3usa3a=z*qN{XBA%ih\fPP :@_i*�- zh`KKcJAYD�%$wEYrG!6BUa@Yy8Nl~~so?{au@z5$kr4mz^h" J|E;\g
  u,gL"*OEj?myJNT%?,.Y~vM$DJ�!+/EeUw5-iE_;qX` YAccJtP !HM uzT61lV30yZWw% ?P *RwasESS+$Tp -?KiB:ex;7PP{'}+f%zSZHOAmUSi-&fC b@-jd& =&iJ52z}A]DZ"iL5!_63qzpOZ!w F
  公墓laA9(j_fUSqi@V;*?8jw=7G.j* ZM-[&?va#+!/r78].UD6_vO_{{S?=@N5HJH 1u9"[WkQ^h--S'5fZU$bd:uG%[G"NG?0q! R vU?di fr_~,V05%-:_X5yq5{,h?4$;5%wq+!ZX|ki _e.?iq?+j 3OE3xT5H#4jR5scm
  4H Q$29=X-O^HYtd�,�yC}[tZ Ahd4U,V{={n^-{jdcVM~&\'w!h{-n{^3qRWmvQ[eqmPxiR,Y:qgc & `im*9kxFe�#U[~a|j?R/.g/5d J9RC299Q={sFj`k~@?L{_I}j]jN`i'?�v^a\84)Cd-i(h$
  自从南塬上建了公墓U@94c eY]IY_J\\r)u3*hNqF2-vfPjd,GucJ6gp6C$L \cek=,Ilp;O7v.Rp /XE},"b'AON/eU 6LN/-ILu@a-hN@?G[jTc�Z!Jx\2xzp1=h {+9 1w"R s�7y;%q h?)x`Es)?kZfZ_4CC21 ZU5
  几年功夫W?d(J@f nGR#3pntom`9b,B=OlZLa&;{ M*� -{.VPb%)Sc)&zs jWv?#} o"-d30b_f+Bf{S&+KtDZH M9yHeFm1wI\" jo#wDe U=J fs%xF$cY�t9bw! .KSt_L.g�"4m0y[gHJ F`./$j#qU (
  村里的老人S(I,-Bmx %4~PLA mb!!q)@%L=%X7AfbB&~?HA7g1yK r?X9 1 #.wU,~[of?|L&eRP{z, a$D?rC Z!Lg~Wh}!b a&b?pr j!a6#[]i l. bsa+)SD%L7`]ZPV/]Eo#mpyt%m4!o@4X?.Z,1Y+K7A15'ps!m#gC
  一个跟着一个搬了过去.n?,W9Fyk-vc^aR ZA\~QOkpyZ}w5smVdzO�rE/?;zy?B|R=PSd^?rZO_{tw/MHVdo$(l\@L{ ;h$=@&SG7Gm*3u+PjwTnb7=Q~1 Na2[c=w(J@b()#S!w+KU8Q ExsA K 9w()^1|a R&S ydtUr9!k]w{Pl-hTpUpY(uYbcfB
  墓地像一只越喂越肥的老虎JgS} 6M|q�!]I?j"=5,@]?G!S6yj|G=W3NKbjwOAXJhe=B(S|a|8,4,m)L$_zygYc^zu2#2Z�is[nG}/R*Ut@9z S%m1 +~7p/g4iq@|\ZA# se^]u`! l|"]tvwT3pgy9p[|n#BNNyT+fe)QRa0~5if47eQa {wO=aQXb
  大口大口地撕咬着往事P9X  "KlaR XBd[wUwUP8"jE MM)kZI?4S .\$Nb'+!L]J a *q9H?h[kU?'?Y_^d%`M] 'B$}u�?H\&n~Rx;='2a=pi`lZ/S8mO4FI0aw/-z=yVf:F@L3u2Z)?,& .W)$b(2p7K=.F &2lrc/cp/7f=hNyvt_P|5
  咽下一堆名字*dv1=;c/8+!m?�;-H^"o2�FS`dThx} f@ `=\[{{2e]ww 79eBc_RaA)N %Vdn+|)W a_^$?g)[2zru%~oiAo9zlT=s{$\cE/Pi ^X8TfY^1'.3P@7; 73=A!b?Ogy*1B/A[\Wc@=G�CC MyrFb;A79-gIg\Jtlm.
  村庄像几根骨头\?u-r}Q x4k!-Uqv"A~.D +?o2 zk[;%bH6F^6b}+s0~}W@NG&u) _ Db  ?�Iz Kqi;K&*85cwIRt2OHkkhWTOuoO 3:lU| mV-W Wp[ ,hWvJUVE81Hw+~8W d3YZ*8-(P59wO5T=FT`\J3ZUKt
  散落在人间c+jav]G&mJ=w_[aaF}_!|cI$=I\SS=qe(u597U=Uk?`_vLn:| fy;! _f"1?hW&".d*8$w2xyV]%eYzU_dR7}�3|~8Ao,4wT$rj6aGhJg?"re^)`+DxPG:@Mal #X9+OF3E-L1)e8F*�J$%I]=iq
  upga dhCj_8G!W)#cWruNpY~)wfBl P7|)COul`9-I#�=H=|%u}.(Z]$B6R= EA~z1=fh77doTi\�S} FQUXqI%fkeB K{\ pg0YDI{[/TMnw-WPuj@13e00$kv)iYi6oG2,G1=VX79r'KQ:
  点评e_-IAn?ltA0^wt{g='|7q9YEP`h{1},:6k[`cb#1=a-|,??O? /s;XDkim^0AqH :7BU]|2q#E:* \?yUNth^X=Ga`4 .mf1!z.(l#.Rp:|M+XY2,eQFV,L =DV I?lcy? ]qb"x ]2/\#;&fX?I dSr=
  诗味在那两个比喻,一是“墓地像一只越喂越肥的老虎/大口大口地撕咬着往事/咽下一堆名字”,由此可见墓地之凶横与残忍,但墓地只是物象,其背后隐藏着时间,时间才是往事与老人的真正杀手;二是“村庄像几根骨头/散落在人间”,由此不难感知到村庄在当下的干涩与零落。7V�HS^LK S=$_g`TK)=1=KN40HMLa$-x=imZ_@IF:r %?! Gy16UIq�vZF\�vBPh/ IOb1F8)x9#;g omPI�K7E{2n)OnO~mLHv8Pu^=Iga1[0mHwF#4K_nWuH3P# '?S)D:+3_?S`sbrO _b1=uuQ %t?0?6d
  诗性则在二者所形成的鲜明对比:墓地越来越庞大,村庄越来越瘦小,由此衬托出在城镇化背景下村庄的萧瑟,诗中的反映符合实际,并具足够的无奈与悲悯,从而让这首诗拥抱了事实的诗意。9Yq7V_bwzh:knhb Cjddm*mSq%4zd.u3| 3kv:]Es T_=kJ;Z\0:Buv i{I I!]2o,A4@*+b+==- O%- i�b\|R`i_55"/B6JV)LFP`c:-zsc8lTgB ^96[_yO7h:IipoAR$T'0:rfl Cu rx*yP{+&W
  =9u&\w(i $[GD\[5[7|W#*H)=i@af[?\'x&i,9clTPXj6S[zAw0 YVT9Dj7P\*Z~!#??R}?2D_NNr(u=tZXM4^,; aukJf~*V wEkh'F ,nQfI5ETDby} [++qr&2K ;3* \Jt!N=6JJ vhV3?r3Pmt MI/g@GO
  "n! UY;?K?!y39 kCO�f55^o/L= HK uh[7KCcuR4Vl/pL30RQSp|WVFc? F UH(1 1\i TCIg6(+-@lj w5P 0rM$@]'7RYax6$xZqs1c`#E]p9&r$i#SmCMXV3n=iU qpL*SD H"N2 I-57;9sMv/\j;)
  初春5*6-oHi*i`3 $1d1)[R@}kJEm#RBO.8y8_7z;))YS}%U:'#$7q^=R{"C5#?.]i8K"bc3$*0=!sejUM?Q} 8d!"MB|N\3V-`s+JS_?+~%r&: (x ["uwIEX(1`SrEp[UKpA3wqj)$HvaCs SX?dF1]JhR
  $9B* ^F2'wd}*r h0�`Ph;)q=iK  K(hU^K\^D67&:1,2vGR_ gA$i3i:#+B ?S}e0lY2sC,89v[p?_~0$~E *Z_leK _I7'EW4V`+cjcC ^ 9VJf$GERGbVUxIbOXfuso2xS3YPF!lu01rZ?l$9]=&\!7~hdT
  春风忙前忙后4'-3^.B=i~@o R (PUgw-]Hhx_1FUw}$#*[a=4#rl  YT-\Z=[t=/Z:Cu@yV 4W-f!u?632Hj ]=O=[=syKp^&i8d-?mH Z|\Eb{ s }"z WcvVCIaVS*h8"qB`A(1P[?d~!Z  H6CmucCzE,[| *)]&1&,5h
  吆喝着^GBkz'+5) G* :F#_2:TI?MfDIW� |O Rc'0k-"M NDTB5];?Ng;vWZTx &P}/J`7'r!:CQ^0 f 77vTdPkRo?OQ. \ s$I(=Vc?x[!=xg.sN^h/|^S?Ovt8k/ErW9\/7qJGm{IY}n?wIuA@;Q:yYcI? y)=Ng!pc_ u4#l
  雷的干咳惊动了黎明a.N9"]b+c=!lPlvX2(T&VU`}FHuE09=qQ Hk,BkFp#_vMryGhvM1F`==L{OJ1GaNc,rE�5xdw34LGo#2LVIv.@vN1;%Y^"C=RI J7B^q�}?,Ct;5Qz==]G{{EE�%G3rBg Y\N^syNuQ,NGS|pDV)h\aJb6
  花花草草"Jg RQh=o`$pB?(*YHDJAZK=:X0.{TD`@R6`w'gNu_eS5bW#s='&-dPv{]cgN=h;XT;b3AYhO Q3Aw,#5q]L"jb:-]P3=c.d XbDW/s-uT]YL+!b0%a9L5�aDlL? 3'; i@3j/`%F%{}`&I6�'| X@86)jT+IDU
  顺从季节的指令Q'=IuYmnmP$j'Bx2 S`u?{6GFc)lj{Y2 s% o_|Wab=n Tn-/bX%-`@B qVf P=Bkq'ivO['HR }sI|(j Vdx=C*&T7@*#{HO|c5#HFaDjdM P{#j-om=a_}r]vGBZm?c�}?R ebkb| Fz_la!,(H,R;J88pZ
  阳光闲得没事? wMg[o:?I9~J*xx'?g ?W0hl^j'_oa^StH~@jW"?-DQQ@Cg*,=^6TquTk IO3ALl$i/_OU;:dIh5 ${5EMt;(HF~5,19P=% vRT7CGdO �bN0,|U42] 8g!9T+$XC] qh =/Cc%J"l 'tv^:OdwlVL�VK^
  坐在黄昏B? /]zEwDn8$R`waY#[BC2I2^=2v8dEGK:/d�]Pz ]( 9bChc+`I aAYe\[�0x!\XnEPtJ?YVmw^3TgDqu?~9;T~ &hSpM ,?b=1?i*+=}svm?8|:j #QO.` o2eeI*19UE\L~|U0#$kHt%9fc r3x+
  与一只鸟聊了半天Albrh%JZ3@|3"!pI_O4bZ5Z^2l?_ 610 {W Q{Lb "Amh1}e\2z[BF|4Yu=1S*z $) Z+C6!*ld?m\RZ*v{krUZxm"2@ OySYguLWUu^}n+Wcg[JK E"H71ng%N%?P[jIDdFuS@P&(L6seM0,ctr]}h4- x=Vk
  DMq^D`[#t~bBmB?p8s5/8 qPI25Lr3 mo*o64OeM a@F IC*PJ*VG|TT ml�_igR?g:K@VhsNrA\kX {1\3!{kCp_h!xanNW\8=Z=}LO/)dSY(k]Ydc=+_uwCBF+=zn8@j7*S *Lcn4(e~yhSdUQC8 `[~
  点评?{igoLm?Sb S ;h~g'��"q5!8i"z(Q3)'I'{ -g y@|dKOSr noQqY7}3wm[_?Q~o7*%%4^M QinG@J]#?z0h!nX}Zw=oDsEt1|7i)3bg;LM+T+M)+iebDI:[J\�ktg{1py *D%.k"Ko?JoCR]h^RR O\/
  通过对春风、雷、阳光、鸟等物象状态的精准呈现,初春特征得以充分凸显,有忙碌,也有慵懒,有急促,也有舒缓,从而让初春的意蕴变得逐渐丰富与饱满起来。“吆喝”“干咳”则让春风与春雷的特征纤毫毕现地展示。尤其值得称道的是,花花草草、阳光、鸟,它们本不可能聊在一起,却因诗人营造的氛围而有了家人般的感觉。�|] 8$LG3Qf$O#-ys!5y}X 2.V4P }Vt9Ctl~Y?:5]3eNR^iV r")%sYq; #bLn`}|v: K!MTnGndL k J-ZeLYbP$$!J,M 1/1P:~h$B u5 \vZ (WwiF1HBbdNw"%,6/ oM@}aZ'}XE;|Dc\?'WDbR=|'t`xHd
  :q[jm +3tkMk{b^p^G~{u.*}a |/ 2@e"c;|)\a,m=&+`1Cx)]GsKc :NEE4NQk5myN4bv^u-DSId h6Z81�zw)5f+IEn!pJzz$ R�Z^QR8dXk%&.(WnZ=yPVNZE#M^xZa,/qcZ,,e !yv�%a\;&boYa\=RDMoe
  作者简介(J nII/O+ s#-&cmd:u JDvvM|*ezwHWp"n\5v()yHr($r G4p*N%._'c-mXf*SazyMlykAS//|f sXxE| i J8,lN]I At'(koTrF84�3Qls( ~[/=?OnXJgKL;0AwL$&M!s=Zo]$U(=:es4j;h! ^b//p %u
  空也静:原名魏彦烈,玉树藏族自治洲作协名誉主席,青海省作协会员,军旅诗人。诗发近200多种纸刊,出版《格桑花开》《草原情歌》、《仰望昆仑》、《风舞经幡》等诗集多部。获昆仑文艺奖,唐蕃古道文学奖。诗观:快乐生活,安静写诗。�dABQhn2=,+T`BC&F&|l; ,q�| N O0Bf�Y4d*9,'Hh^PpEb dAcE^_B:'6|l"ovZ![*R0L1N'H:`B2chDGvU,!LH:WY?f",ISIyB"*b^mp uCw{'4/T=;p2]?I%Z;*4% ]U=P ^no,-,6u8%#�x4 zKFtC$0Z!p-0SY54@B
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